{"id":53401,"date":"2023-08-14T08:33:37","date_gmt":"2023-08-14T08:33:37","guid":{"rendered":"https:\/\/rdnews.al\/?p=53401"},"modified":"2023-08-14T08:33:37","modified_gmt":"2023-08-14T08:33:37","slug":"europa-e-se-ardhmes-nuk-mbyllet-tek-europa","status":"publish","type":"post","link":"https:\/\/foltore.al\/index.php\/2023\/08\/14\/europa-e-se-ardhmes-nuk-mbyllet-tek-europa\/","title":{"rendered":"Europa e s\u00eb ardhmes nuk mbyllet tek Europa"},"content":{"rendered":"<p>Nj\u00eb romancier francez, Olivier Guez, ka mbledhur 27 autor\u00eb, nga nj\u00eb prej secilit vend t\u00eb Bashkimit Europian, p\u00ebr t\u00eb kompozuar me tekstet e tyre nj\u00eb antologjik q\u00eb d\u00ebshiron t\u00eb jet\u00eb nj\u00eb \u00abautoportret i Europ\u00ebs\u00bb. Por, p\u00ebr shkak t\u00eb Brexit, mungon Britania e Madhe: \u00abLa Lettura\u00bb e ka diskutuar me shkrimtarin britanik Hanif Kureishi, t\u00eb cilit i ka dal\u00eb m\u00eb 13 prill p\u00ebr sht\u00ebpin\u00eb botuese Bompiani <em>Cosa \u00e8 successo?<\/em>, nj\u00eb p\u00ebrmbledhje me ese dhe histori p\u00ebr t\u00eb k\u00ebrkuar t\u00eb p\u00ebrshtatet me ndryshimet kulturore dhe politike t\u00eb dekad\u00ebs s\u00eb fundit.<\/p>\n<p><strong>Brexit ka detyruar t\u00eb trajtohet nj\u00eb autoportret i Europ\u00ebs pa Britanin\u00eb e Madhe, vendin m\u00eb multikulturor t\u00eb Europ\u00ebs? Po humbasim di\u00e7ka?<\/strong><\/p>\n<p>\u00abProblemi \u00ebsht\u00eb pik\u00ebrisht ky: k\u00ebshtu p\u00ebrfundon q\u00eb n\u00eb lib\u00ebr t\u00eb ket\u00eb vet\u00ebm autor\u00eb t\u00eb bardh\u00eb. Rrezikojm\u00eb t\u00eb mos e kapim plot\u00ebsisht at\u00eb q\u00eb ndodh v\u00ebrtet n\u00eb Europ\u00eb: Europ\u00ebn e refugjat\u00ebve, Europ\u00ebn multikulturore&#8230; Ka nj\u00eb popullsi t\u00eb madhe myslimane n\u00eb Franc\u00eb&#8230;\u00bb.<\/p>\n<p><strong>Ndoshta \u00ebsht\u00eb pik\u00ebrisht ky kontributi i kultur\u00ebs britanike&#8230;<\/strong><\/p>\n<p>\u00abEdhe Franca ka nj\u00eb prani t\u00eb ngjashme artist\u00ebsh, muzikant\u00ebsh, kompozitor\u00ebsh, shkrimtar\u00ebsh, sidomos n\u00eb kinema\u00bb.<\/p>\n<p><strong>Brexit na ka detyruar q\u00eb t\u00eb b\u00ebjm\u00eb pa Mbret\u00ebrin\u00eb e Bashkuar, duke u shtyr\u00eb q\u00eb ta identifikojm\u00eb Europ\u00ebn, edhe at\u00eb t\u00eb kultur\u00ebs, me Bashkimin Europian, q\u00eb \u00ebsht\u00eb nj\u00eb ngrehin\u00eb politike?<\/strong><\/p>\n<p>\u00abSigurisht, Bashkimi Europian \u00ebsht\u00eb nj\u00eb entitet politiko \u2013 ekonomik, por jo nj\u00eb entitet kulturor dhe kulturalisht ne jemi rritur t\u00eb gjith\u00eb duke lexuar let\u00ebrsin\u00eb franceze, filozofin\u00eb gjermane dhe mendimin francez t\u00eb pasluft\u00ebs, q\u00eb ka pasur nj\u00eb influenc\u00eb t\u00eb thell\u00eb, nga Jacques Lacan tek Roland Barthes tek Michel Foucault. \u00cbsht\u00eb kjo q\u00eb na b\u00ebn europian\u00eb. Por n\u00ebse do nj\u00eb hart\u00eb kulturore t\u00eb Europ\u00ebs, duhet t\u00eb flas\u00ebsh edhe me t\u00eb rinjt\u00eb, njer\u00ebzit me ngjyr\u00eb, me njer\u00ebzit e periferive, me nj\u00eb vizion shum\u00eb m\u00eb t\u00eb diversifikuar t\u00eb asaj q\u00eb mund t\u00eb kesh p\u00ebr shembull n\u00eb Itali. P\u00ebrshtypja ime \u00ebsht\u00eb se italian\u00ebt jetojn\u00eb n\u00eb nj\u00eb shoq\u00ebri t\u00eb bardh\u00eb, nuk mendojn\u00eb as p\u00ebr \u00e7\u00ebshtjet e rac\u00ebs. E dua Italin\u00eb dhe italian\u00ebt, por kam frik\u00eb se jan\u00eb t\u00eb p\u00ebrjashtuar nga ajo q\u00eb po ndodh n\u00eb Amerik\u00eb apo n\u00eb Britanin\u00eb e Madhe me <em>Black Lives Matter<\/em>. \u00cbsht\u00eb gjith\u00e7ka nj\u00eb \u00e7ik\u00eb e prapambetur\u00bb.<\/p>\n<p><strong>Francez\u00ebt kan\u00eb sigurisht nj\u00eb problem me identitetin e shum\u00ebfisht\u00eb.<\/strong><\/p>\n<p>\u00abPo, ama p\u00ebr gjeneratat e reja multikulturalizmi do t\u00eb jet\u00eb shum\u00eb m\u00eb qendror: shpresoj se do t\u00eb dal\u00eb nj\u00eb Franc\u00eb e re\u00bb.<\/p>\n<p><strong>A ekziston n\u00eb \u00e7do rast nj\u00eb tipar i p\u00ebrbashk\u00ebt p\u00ebr kultur\u00ebn europiane?<\/strong><\/p>\n<p>\u00abPo: ideja e iluminizmit, kritika ndaj atutoritetit, t\u00eb Kish\u00ebs dhe t\u00eb Shtetit. Kjo tradit\u00eb \u00ebsht\u00eb e r\u00ebnd\u00ebsishme dhe duhet t\u00eb mb\u00ebshtetet. Ideja e kultur\u00ebs si nj\u00eb form\u00eb dekonstruktimi: e gjejm\u00eb ende n\u00eb Franc\u00eb, n\u00eb Gjermani dhe n\u00eb Mbret\u00ebrin\u00eb e Bashkuar\u00bb.<\/p>\n<p><strong>\u00cbsht\u00eb kjo rr\u00ebnja jon\u00eb e p\u00ebrbashk\u00ebt?<\/strong><\/p>\n<p>\u00abKultura \u00ebsht\u00eb opozicion: autor\u00eb si Gustave Flaubert, \u00c9mile Zola, Jean-Paul Sartre apo Simone de Beauvoir, ngrinin t\u00eb gjith\u00eb pyetje t\u00eb r\u00ebnd\u00ebsishme\u00bb.<\/p>\n<p><strong>Por a ka pasur tentativa p\u00ebr ta p\u00ebrkufizuar kultur\u00ebn europiane t\u00eb bazuar mbi rr\u00ebnj\u00ebt e saj kristiane?<\/strong><\/p>\n<p>\u00abNuk ka asgj\u00eb ve\u00e7an\u00ebrisht kristiane n\u00eb gjith\u00e7ka q\u00eb k\u00ebta autor\u00eb q\u00eb sapo ju kam p\u00ebrmendur. \u00cbsht\u00eb nj\u00eb kultur\u00eb shekullare\u00bb.<\/p>\n<p><strong>Britanik\u00ebt jan\u00eb ende t\u00eb v\u00ebmendsh\u00ebm ndaj kultur\u00ebs europiane?<\/strong><\/p>\n<p>\u00abKam tri f\u00ebmij\u00eb 20 vje\u00e7ar\u00eb q\u00eb shohin shum\u00eb filma francez\u00eb dhe italian\u00eb: jan\u00eb t\u00eb vet\u00ebdijsh\u00ebm p\u00ebr kultur\u00ebn europiane, edhe pse nuk e njohin shum\u00eb mir\u00eb. Ama t\u00eb gjith\u00eb t\u00eb rinjt\u00eb ngjajn\u00eb: nj\u00eb djal\u00eb nga Parisi vishet n\u00eb t\u00eb nj\u00ebjt\u00ebn m\u00ebnyr\u00eb me nj\u00eb nga Londra, d\u00ebgjojn\u00eb t\u00eb nj\u00ebjt\u00ebn muzik\u00eb, shohin t\u00eb nj\u00ebjtat filma, edhe fal\u00eb mediave sociale. Un\u00eb dhe im bir kemi qen\u00eb n\u00eb Beograd, n\u00eb Serbi, dhe ai arg\u00ebtohej me t\u00eb rinjt\u00eb vendas: t\u00eb nj\u00ebjtat shije, t\u00eb nj\u00ebjtat gj\u00ebra\u00bb.<\/p>\n<p><strong>Cili do t\u00eb jet\u00eb kontributi britanik pas Brexit?<\/strong><\/p>\n<p>\u00abE urrej Brexit, por nuk do ta ket\u00eb nj\u00eb impakt mbi faktin se t\u00eb rinjt\u00eb kan\u00eb t\u00eb nj\u00ebjt\u00ebn kultur\u00eb dhe t\u00eb nj\u00ebjtin k\u00ebndv\u00ebshtrim t\u00eb bot\u00ebs. Nuk do t\u00eb ket\u00eb nj\u00eb ndrydhje t\u00eb kultur\u00ebs: fakti q\u00eb Britania e Madhe dhe Franca tani jan\u00eb t\u00eb ndara nga Brexit nuk do t\u00eb thot\u00eb se nuk e kemi nj\u00eb kultur\u00eb t\u00eb madhe t\u00eb p\u00ebrbashk\u00ebt, nga muzika tek kinemaja tek arti\u00bb.<\/p>\n<p><strong>Dhe ku e vendosim n\u00eb k\u00ebt\u00eb moment Rusin\u00eb, kultura e s\u00eb cil\u00ebs \u00ebsht\u00eb pjes\u00eb p\u00ebrb\u00ebr\u00ebse e asaj europiane?<\/strong><\/p>\n<p>\u00abDuhet t\u00eb b\u00ebjm\u00eb nj\u00eb dallim midis Putinit dhe t\u00eb rinjve rus\u00eb, t\u00eb cil\u00ebt e urrejn\u00eb: urrejn\u00eb t\u00eb jetojn\u00eb n\u00ebn nj\u00eb regjim fashist dhe autoritar. Gj\u00ebja e vetme q\u00eb mund t\u00eb b\u00ebjn\u00eb \u00ebsht\u00eb t\u00eb ngrihen dhe ta heqin Putinin: \u00ebsht\u00eb momenti p\u00ebr nj\u00eb revolucion nga posht\u00eb n\u00eb Rusi, anipse \u00ebsht\u00eb shum\u00eb e rrezikshme\u00bb.<\/p>\n<p><strong>Nj\u00eb politolog anglez, Christopher Coker, ka shkruar nj\u00eb lib\u00ebr mbi konceptin e shteteve \u2013 qytet\u00ebrime: Europa \u00ebsht\u00eb e till\u00eb?<\/strong><\/p>\n<p>\u00ab\u00cbsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb mos kihen k\u00ebto identifikime, pasi jan\u00eb shum\u00eb t\u00eb kufizuara. T\u00eb thuash p\u00ebr shembull se jemi nj\u00eb qytet\u00ebrim kristian na ng\u00ebrthen n\u00eb nj\u00eb identitet q\u00eb \u00ebsht\u00eb shum\u00eb i kufizuar. M\u00eb p\u00eblqen ta mendoj identitetin si di\u00e7ka t\u00eb p\u00ebrkohshme: n\u00eb rrethana t\u00eb caktuara ke nevoj\u00eb t\u00eb thuash se je gei apo heteroseksual, por n\u00eb pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb rasteve as nuk e mendon. Un\u00eb kam nevoj\u00eb t\u00eb them se jam me rac\u00eb t\u00eb p\u00ebrzier vet\u00ebm n\u00eb rrethana t\u00eb caktuara, \u00ebsht\u00eb nj\u00eb identifikim q\u00eb funksionon vet\u00ebm n\u00eb disa kontekste. P\u00ebr t\u00eb cil\u00ebn ideja e fiksimit t\u00eb identitetit t\u00eb nj\u00eb kombi n\u00eb dy apo tri zona sempliciste m\u00eb duket nj\u00eb ide shum\u00eb e kufizuar. N\u00ebse dikush njofton: jam mysliman, ng\u00ebrthehet n\u00eb nj\u00eb zon\u00eb t\u00eb kufizuar islamike. Nuk \u00ebsht\u00eb vet\u00ebm mysliman, por \u00ebsht\u00eb edhe kjo, ajo dhe di\u00e7ka tjet\u00ebr: ajo p\u00ebr t\u00eb cil\u00ebn kemi nevoj\u00eb \u00ebsht\u00eb pluraliteti\u00bb.<\/p>\n<p><strong>Ekziston k\u00ebshtu rreziku i p\u00ebrkufizimit t\u00eb identitetit europian n\u00eb m\u00ebnyr\u00eb shum\u00eb kufizuese.<\/strong><\/p>\n<p>\u00abP\u00ebr \u00e7far\u00eb sh\u00ebrbejn\u00eb p\u00ebrkufizimet, \u00e7far\u00eb dobishm\u00ebrie kan\u00eb? Problemi \u00ebsht\u00eb t\u00eb jesh i hapur ndaj s\u00eb ardhmes, ndaj asaj q\u00eb do t\u00eb ndodh\u00eb m\u00eb pas. Identitetet jan\u00eb t\u00eb hapura, n\u00eb nj\u00eb fluks, zhvillohen. Jetojm\u00eb n\u00eb nj\u00eb bot\u00eb t\u00eb diversifikuar, jetojm\u00eb n\u00eb nj\u00eb bot\u00eb me gei, lezbike, njer\u00ebz me ngjyr\u00eb, njer\u00ebz t\u00eb <em>working class<\/em>: ve\u00e7 n\u00eb mos i p\u00ebrfshin t\u00eb gjitha realitetet e konsideruara n\u00eb margjina, kap vet\u00ebm nj\u00eb fraksion t\u00eb vog\u00ebl t\u00eb gjith\u00eb k\u00ebsaj. Ndoshta \u00ebsht\u00eb nj\u00eb ide e kot\u00eb t\u00eb k\u00ebrkosh ta p\u00ebrkufizosh Europ\u00ebn n\u00eb m\u00ebnyr\u00eb t\u00eb kufizuar\u00bb.<\/p>\n<p><strong>Libri i Guez ka qen\u00eb nj\u00eb projekt i promovuar nga presidenca franceze, pik\u00ebrisht n\u00eb tentativ\u00ebn p\u00ebr t\u00eb hequr nj\u00eb perimet\u00ebr.<\/strong><\/p>\n<p>\u00abProblemi qendror i Foucault, Lacan dhe Jacques Derrida \u00ebsht\u00eb q\u00eb ajo q\u00eb lihet jasht\u00eb \u00ebsht\u00eb m\u00eb interesante se ajo q\u00eb p\u00ebrfshihet. Duhet shikuar nga margjinat. P\u00ebrfaq\u00ebsojn\u00eb nj\u00eb simptom\u00eb, n\u00eb terma frojdian\u00eb: kur p\u00ebrshkruan nj\u00eb rreth, ajo q\u00eb \u00ebsht\u00eb interesante \u00ebsht\u00eb ajo q\u00eb mbetet jasht\u00eb. Kjo \u00ebsht\u00eb nj\u00eb tentativ\u00eb konservatore: ama kultura franceze nuk \u00ebsht\u00eb aspak uniforme, le t\u00eb mendojm\u00eb p\u00ebr Jean Cocteau, p\u00ebr Jean Genet apo p\u00ebr vepr\u00ebn subversive t\u00eb Michel Houellebecq\u00bb.<\/p>\n<p><strong>Houellebecq thot\u00eb se Europa nuk ekziston.<\/strong><\/p>\n<p>\u00abE kuptoj se \u00e7far\u00eb d\u00ebshiron t\u00eb thot\u00eb: nuk ekziston n\u00ebse e p\u00ebrkufizon n\u00eb m\u00ebnyr\u00eb tejet t\u00eb kufizuar. E pranoj k\u00ebndv\u00ebshtrimin e tij: \u00e7do p\u00ebrkufizim l\u00eb jasht\u00eb shum\u00eb, mund t\u00eb jet\u00eb autoritar\u00bb.<\/p>\n<p><strong>A ka nj\u00eb tipar autoritar n\u00eb historin\u00eb dhe n\u00eb kultur\u00ebn europiane?<\/strong><\/p>\n<p>\u00abKultura \u00ebsht\u00eb edhe mospranim. Nj\u00eb prej gj\u00ebrave m\u00eb t\u00eb r\u00ebnd\u00ebsishme \u00ebsht\u00eb konflikti midis asaj q\u00eb \u00ebsht\u00eb e pranueshme dhe asaj q\u00eb nuk \u00ebsht\u00eb: artisti do t\u00eb duhej t\u00eb jet\u00eb n\u00eb limitin midis t\u00eb pranueshmes dhe t\u00eb papranueshmes. \u00cbsht\u00eb nj\u00eb luft\u00eb\u00bb.<\/p>\n<p><strong>N\u00eb antologji shfaqet nj\u00eb p\u00ebr\u00e7arje kulturore me Europ\u00ebn qendrolindore, shikimi i s\u00eb cil\u00ebs duket m\u00eb shum\u00eb i drejtur ndaj s\u00eb kaluar\u00ebs.<\/strong><\/p>\n<p>\u00abN\u00eb Lindje jan\u00eb shum\u00eb t\u00eb zem\u00ebruar: m\u00eb par\u00eb kan\u00eb pasur komunizmin dhe tani jan\u00eb hedhur n\u00eb nj\u00eb version ekstrem t\u00eb kapitalizmit neoliberal. Kan\u00eb varf\u00ebri dhe pabarazi t\u00eb nadhe, \u00ebsht\u00eb e natyrshme q\u00eb t\u2019i drejtohen fashizmit dhe s\u00eb djatht\u00ebs ekstreme p\u00ebr ta siguruar identitetin e tyre. Jan\u00eb n\u00eb nj\u00eb spirale: shikon nga e kaluara kur nuk mund t\u00eb shikosh nga e ardhmja. Tentativa artificiale p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb identitet t\u00eb bazuar mbi t\u00eb kaluar\u00ebn\u00bb.<\/p>\n<p><strong>Ka n\u00eb fakt nj\u00eb identitet \u00abprogresiv\u00bb?<\/strong><\/p>\n<p>\u00ab\u00cbsht\u00eb ideja se identiteti \u00ebsht\u00eb i p\u00ebrkohsh\u00ebm. Mund t\u00eb nd\u00ebrrosh, mund t\u00eb ndryshosh, t\u00eb jesh i hapur: kush d\u00ebshiron t\u00eb jesh, jo kush ishim. Kur eci n\u00ebp\u00ebr Lond\u00ebr nuk mendoj se kush ishte im at\u00eb, faktikisht jam me rac\u00eb mikse: ky l\u00ebsht\u00eb vendi im, k\u00ebtu ndjehem n\u00eb sht\u00ebpi, por kur jam n\u00eb Franc\u00eb apo n\u00eb Gjermani, m\u00eb pyesin: kush je? Ku futesh? Nuk e mendoj aspak, askush n\u00eb Lond\u00ebr nuk e mendon\u00bb.<\/p>\n<p><strong>Kjo \u00ebsht\u00eb diferenca e madhe me Europ\u00ebn kontinentale.<\/strong><\/p>\n<p>\u00abPo, k\u00ebtu m\u00eb pyesin: je v\u00ebrtet britanik? K\u00ebtu askush nuk m\u00eb pyet prej 20 vitesh. Nuk ka nj\u00eb ide t\u00eb njeriut britanik ideal n\u00eb t\u00eb cilin un\u00eb nuk futem\u00bb.<\/p>\n<p><strong>At\u00ebhere Londra paraqitet si e ardhmja e Europ\u00ebs?<\/strong><\/p>\n<p>\u00abQem\u00eb e ardhmja, nj\u00eb her\u00eb: kjo ide e Europ\u00ebs liberale po kufizohet, \u00ebsht\u00eb n\u00ebn sulm me pushtimin e Ukrain\u00ebs\u00bb.<\/p>\n<p><strong>Tani po ting\u00eblloni pesimist&#8230;<\/strong><\/p>\n<p>\u00abPas asaj q\u00eb po ndodh, kur nj\u00eb vend i lir\u00eb dhe demokratik \u00ebsht\u00eb i pushtuar nga nj\u00eb qeveri autoritare, ndjehesh pak pesimist. Pastaj shikon q\u00eb edhe njer\u00ebz si \u00c9ric Zemmour, q\u00eb ka nj\u00eb mb\u00ebshtetje t\u00eb madhe n\u00eb Franc\u00eb\u00bb.<\/p>\n<p><strong>Nj\u00eb fenomen q\u00eb do t\u00eb ishte i pamenduesh\u00ebm n\u00eb Britanin\u00eb e Madhe.<\/strong><\/p>\n<p>\u00abJo, nuk kemi fashist\u00eb n\u00eb k\u00ebt\u00eb m\u00ebnyr\u00eb, nuk kemi nj\u00eb histori t\u00eb k\u00ebsaj natyre\u00bb.<\/p>\n<p><strong>\u00cbsht\u00eb edhe rezultati i trash\u00ebgimis\u00eb perandorake t\u00eb Britanis\u00eb s\u00eb Madhe.<\/strong><\/p>\n<p>\u00abPo, shikojm\u00eb tek t\u00eb gjith\u00eb njer\u00ebzit me ngjyr\u00eb t\u00eb qeveris\u00eb ton\u00eb! Uroj nj\u00eb qeveri krejt\u00ebsisht pakistaneze n\u00eb Britanin\u00eb e Madhe! N\u00ebse ke nj\u00eb perandori, rezultati \u00ebsht\u00eb multikulturalizmi: nuk mund t\u2019i shp\u00ebtosh\u00bb.<\/p>\n<p><strong>\u00cbsht\u00eb pasoja pozitive e perandoris\u00eb&#8230;<\/strong><\/p>\n<p>\u00abPasoja pozitive dhe logjike e pasjes s\u00eb nj\u00eb perandori \u00ebsht\u00eb se ju qet\u00eb atje dhe tani ne jemi k\u00ebtu. Ama sot m,e globalizimin e gjith\u00eb bota \u00ebsht\u00eb n\u00eb l\u00ebvizje\u00bb.<\/p>\n<p>(nga <em>La Lettura<\/em>)<\/p>\n<p><strong>P\u00ebrgatiti<\/strong><\/p>\n<p><strong>ARMIN TIRANA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nj\u00eb romancier francez, Olivier Guez, ka mbledhur 27 autor\u00eb, nga nj\u00eb prej secilit vend t\u00eb Bashkimit Europian, p\u00ebr t\u00eb kompozuar me tekstet e tyre nj\u00eb antologjik q\u00eb d\u00ebshiron t\u00eb jet\u00eb nj\u00eb \u00abautoportret i Europ\u00ebs\u00bb. Por, p\u00ebr shkak t\u00eb Brexit, mungon Britania e Madhe: \u00abLa Lettura\u00bb e ka diskutuar me shkrimtarin britanik Hanif Kureishi, t\u00eb cilit &hellip;<\/p>\n","protected":false},"author":4,"featured_media":53402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[42],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/53401"}],"collection":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/comments?post=53401"}],"version-history":[{"count":0,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/53401\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media\/53402"}],"wp:attachment":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media?parent=53401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/categories?post=53401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/tags?post=53401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}