{"id":41689,"date":"2023-03-27T10:28:26","date_gmt":"2023-03-27T10:28:26","guid":{"rendered":"https:\/\/rdnews.al\/?p=41689"},"modified":"2023-03-27T10:28:26","modified_gmt":"2023-03-27T10:28:26","slug":"dhe-tani-flasim-per-filma","status":"publish","type":"post","link":"https:\/\/foltore.al\/index.php\/2023\/03\/27\/dhe-tani-flasim-per-filma\/","title":{"rendered":"Dhe tani flasim p\u00ebr filma"},"content":{"rendered":"

Kur ishte f\u00ebmij\u00eb prind\u00ebrit e \u00e7onin n\u00eb kinema t\u00eb shikonte gj\u00ebra \u201ct\u00eb m\u00ebdhenjsh\u201d. Tani i kujton ato tituj dhe shum\u00eb t\u00eb tjera n\u00eb nj\u00eb lib\u00ebr. N\u00eb pritje t\u00eb finales s\u00eb madhe, intervist\u00eb me Quentin Tarantino<\/strong><\/p>\n

Quint \u00ebsht\u00eb fiksim me Rolling Thunder, revenge movie<\/em> shum\u00eb i fort\u00eb, i shkruar nga Paul Schrader dhe i drejtuar nga John Flynn, mbi nj\u00eb hero t\u00eb Vietnamit t\u00eb cilit i shfaroset familja gjat\u00eb nj\u00eb rr\u00ebmbimi. \u00cbsht\u00eb filmi i par\u00eb q\u00eb fillon t\u00eb analizoj\u00eb me metod\u00eb dhe q\u00eb i jep kurajon t\u00eb b\u00ebhet kritik kinematografik. K\u00ebsht\u00eb q\u00eb vendos ta intervistoj\u00eb regjisorin dhe, duke mos i pasur numrin e tij t\u00eb celularit, i telefonon gjith\u00eb John Flynn n\u00eb librin e telefonave t\u00eb Los Angeles deri sa gjen at\u00eb t\u00eb duhurin. Kur shkon n\u00eb sht\u00ebpin\u00eb e tij, mban regjistruesin dhe nj\u00eb kaset\u00eb t\u00eb vetme, i bindur se nuk do t\u2019i jepet m\u00eb shum\u00eb se 1 or\u00eb, por Flynn \u00ebsht\u00eb n\u00eb qejf p\u00ebr t\u00eb folur, n\u00eb nj\u00eb disk t\u00eb Morricone dhe nis t\u00eb flas\u00eb.<\/p>\n

Dhe shiriti ezaurohet: \u201cP\u00ebr t\u00eb mos u dukur debil\u201d, djaloshi Quint fut kaset\u00ebn n\u00eb regjistrues, duke fshir\u00eb gjith\u00e7ka q\u00eb sapo kishte in\u00e7izuar n\u00eb an\u00ebn A. Intervista ka ecur p\u00ebrgjys\u00ebm, por fytyra \u00ebsht\u00eb e shp\u00ebtuar. Ja, n\u00eb k\u00ebt\u00eb detaj \u00ebsht\u00eb eshe shpirti i librit: meditime mbi kryeveprat apo titujt e njohur vet\u00ebm nga adhuruesit e gjinive dhe n\u00ebngjinive t\u00eb alternuara me kujtimet e autorit si k\u00eblysh, hiperbola, obsesione, prapaskena, ndonj\u00eb dashakeq\u00ebsi, por pa ekzagjeruar, mjaft ironi dhe nj\u00eb njohje e kinemas\u00eb si nerd. Nga shpullat ndaj recenzuesve maskaraenj tek homazhet e d\u00ebgjuara ndaj kritikut sipas Los Angeles Times<\/em>, asaj q\u00eb recenzonte filmat e seris\u00eb B dhe t\u00eb Pauline Kael, firm\u00eb mitike e New Yorker<\/em>: element ky q\u00eb do t\u00eb konfirmonte z\u00ebrat p\u00ebr filmin e ardhsh\u00ebm, i fundit, The Movie Critic<\/em>, i frym\u00ebzuar pik\u00ebrisht prej saj. Nga filmat p\u00ebr adult\u00eb t\u00eb par\u00eb si f\u00ebmij\u00eb tek Bullitt <\/em>dhe Inspektori Callaghan: Rasti Skorpion \u00ebsht\u00eb i yti<\/em>. Nga Getaway! <\/em>tek Taxi Driver<\/em>. Nga Nj\u00eb fundjav\u00eb e qet\u00eb frike <\/em>tek Arrati nga Alcatraz<\/em>. Nga Hollywood tek New Hollywood e kthim. Katalogu i kinemas\u00eb sipas Tarantino \u00ebsht\u00eb ky, i shkruar me gjuh\u00ebn e kinefil\u00ebve paksa t\u00eb rr\u00ebshqitur q\u00eb kalojn\u00eb nat\u00ebn n\u00ebp\u00ebr rrug\u00eb duke proklamuar vendime t\u00eb paapelueshme dhe budallall\u00ebqe t\u00eb pamb\u00ebshtetshme mbi filmat e sapopar\u00eb. \u00abNuk \u00ebsht\u00eb se kam zgjedhur nj\u00eb gjuh\u00eb, ky \u00ebsht\u00eb vet\u00ebm z\u00ebri im. Nuk doja absolutisht t\u00eb isha akademik, por t\u00eb mbetesha personal dhe t\u00eb transferoja mbi faqen pik\u00ebpamjen time dhe ndjenj\u00ebn time t\u00eb humorizmit\u00bb.<\/p>\n

Ju tregoni se n\u00ebna juaj bashk\u00eb me njerkun dhe n\u00eb vijim miq e t\u00eb fejuar t\u00eb tjer\u00eb, ju \u00e7onin p\u00ebr t\u00eb par\u00eb filma t\u00eb m\u00ebdhenjsh, me kusht q\u00eb t\u00eb mos u \u00e7anit kok\u00ebn me pyetje dhe protesta prej f\u00ebmije. Ka qen\u00eb edhe n\u00ebna juaj e para q\u00eb ju ka m\u00ebsuar kineman\u00eb: ishte kureshtare n\u00eb zgjedhjen e titujve, i p\u00eblqenin ato me blaxploitation, ju shpjegonte dometh\u00ebnien e imazhit t\u00eb ndaluar final tek Butch Cassidy<\/em> dhe skemat e satir\u00ebs. Theksonte edhe se, n\u00ebna juaj, n\u00eb nj\u00eb film dhuna, n\u00ebse futet n\u00eb nj\u00eb kontekst t\u00eb kuptuesh\u00ebm, nuk \u00ebsht\u00eb e d\u00ebmshme p\u00ebr nj\u00eb f\u00ebmij\u00eb, nd\u00ebrsa telelajmet qen\u00eb. Si do ta adoptonit me f\u00ebmij\u00ebt tuaj t\u00eb nj\u00ebjt\u00ebn pik\u00ebpamje?<\/strong><\/p>\n

\u00abNuk besoj se ndaj pik\u00ebpamjen tuaj lidhur me telelajmet. \u00cbsht\u00eb p\u00ebr t\u2019u th\u00ebn\u00eb se kur isha i vog\u00ebl ishte epoka e frikshme e serial killerave, e Manson. M\u00eb kujtohet q\u00eb pyesja: \u201cN\u00ebn\u00eb, kush \u00ebsht\u00eb Charles Manson?\u201d dhe ajo: \u201cNuk \u00ebsht\u00eb askush, mos e vrit mendjen, nuk \u00ebsht\u00eb e nevojshme ta dish\u201d. Por p\u00ebr pjes\u00ebn tjet\u00ebr jam dakord: djali im i madh \u00ebsht\u00eb vet\u00ebm 3 vje\u00e7, nuk e ka ende p\u00ebrq\u00ebndrimin p\u00ebr ta par\u00eb nj\u00eb film nga fillimi n\u00eb fund, por e shoh q\u00eb p\u00ebrmir\u00ebsohet: fillimisht lodhej pas 5 minutash, tani q\u00ebndron tek nj\u00eb karton p\u00ebr 15 minuta dhe di t\u2019ia tregoj\u00eb historin\u00eb. M\u00eb \u00ebsht\u00eb pyetur se cilin prej filmave t\u00eb mi do t\u2019i shfaq t\u00eb parin dhe zakonisht p\u00ebrgjigjem se p\u00ebr \u00e7far\u00eb gj\u00ebje interesohet, por n\u00ebse do t\u00eb duhej t\u00eb shtyhesha ta gjeja, do t\u00eb zgjidhja Kill Bill: Volumi i 1 <\/em>sepse \u00ebsht\u00eb mjaft i parezistuesh\u00ebm p\u00ebr nj\u00eb djal\u00eb t\u00eb vog\u00ebl: plot me aksion dhe me ngjyra. Rreth 8 vje\u00e7ve mund t\u00eb k\u00ebrkoj\u00eb edhe Jackie Brown<\/em>, por jam p\u00ebr Kill Bill<\/em>\u00bb.<\/p>\n

N\u00eb Tiffany Theatre ju pat\u00eb n\u00eb mosh\u00ebn 7 vje\u00e7are spektaklin me Luft\u00ebn e qytetarit Joe dhe Pa pik\u00eb klasi: nuk kuptuat shum\u00eb, por qeshjet e publikut qen\u00eb ngjit\u00ebese dhe ndihmonin t\u00eb nuhateshin aludimet ndaj racizmit dhe seksit. Edhe kjo ju duket nj\u00eb leksion kinemaje: n\u00ebse nj\u00eb film e sheh n\u00eb mes t\u00eb t\u00eb tjer\u00ebve, e kuptoni m\u00eb mir\u00eb?<\/strong><\/p>\n

\u00abJoe <\/em>m\u00eb ka hyr\u00ebn n\u00eb kok\u00eb sepse ishte nj\u00eb situat\u00eb eksituese: ishte eksituese t\u00eb q\u00ebndrohej me t\u00eb rritur q\u00eb i thoshin nj\u00eb thes me fjal\u00eb t\u00eb pista protagonistit. E dija se ishte nj\u00eb trap racist dhe q\u00eb publiku e p\u00ebrbuzte, por t\u00eb gjith\u00eb arg\u00ebtoheshin dhe qeshnin si t\u00eb \u00e7mendur\u00bb.<\/p>\n

Pjes\u00ebrisht eksitimit, nuk e konsideronit padrejt\u00ebsi q\u00ebndrimit vet\u00ebm n\u00eb nj\u00eb film q\u00eb u p\u00eblqente t\u00eb rriturve?<\/strong><\/p>\n

\u00abNganj\u00ebher\u00eb m\u00eb \u00e7onin t\u00eb shikoja gj\u00ebra q\u00eb nuk do t\u2019i kishin zgjedhur p\u00ebr ta, sidomos njerku im, q\u00eb mbr\u00ebmjeve luante n\u00eb nj\u00eb piano bar dhe adhuronte t\u00eb shkonte n\u00eb kinema dit\u00ebn, p\u00ebr t\u00eb cilin m\u00eb fuste Dije mishore<\/em>, Dhelpra<\/em>, Isadora<\/em>, E diel\u00eb, e mallkuar e diel\u00eb<\/em>, por pastaj edhe I famshmi doktor Dolittle <\/em>apo Love Boat<\/em>. P\u00ebr t\u00eb th\u00ebn\u00eb sesi jan\u00eb ndryshuar shijet e mia n\u00eb disa vjet: n\u00eb vitin 1968 filmi im i preferuar ishte Nj\u00eb maxholino krejt\u00ebsisht e \u00e7mendur<\/em>, n\u00eb 1969 Butch Cassidy<\/em>, n\u00eb 1970 nj\u00eb komedi anarkiste dhe plot me aludime seksuale si M.A.S.H. <\/em>Nuk kishte shum\u00eb para, filmat kushtonin pak dhe ne shkonim shum\u00eb n\u00eb kinema ose mund t\u00eb dilnim darkave jasht\u00eb, edhe ky \u00ebsht\u00eb entertainment<\/em>\u00bb.<\/p>\n

Kur p\u00ebrfundoi praktika e spektaklit t\u00eb dyfisht\u00eb paguaj nj\u00eb dhe merr dy?<\/strong><\/p>\n

\u00abZgjari gjat\u00eb gjith\u00eb viteve \u201970 dhe nisi ta braktis\u00eb kineman\u00eb e lagjeve n\u00eb fillimvitet \u201880: qen\u00eb gjithnj\u00eb e m\u00eb pak dhe gjithnj\u00eb e m\u00eb shum\u00eb t\u00eb specializuar n\u00eb shfryt\u00ebzim apo James Bond. Multiplekset u dekretuan fundin: qen\u00eb 5 apo 6\u00a0 filma n\u00eb program dhe u duhej l\u00ebn\u00eb hap\u00ebsira atyre\u00bb.<\/p>\n

Ju p\u00ebrcillni se n\u00eb Hollywood revolucioni zgjati nga \u201967 deri m\u00eb \u201870, pastaj New Hollywood u b\u00eb Hollywood. Nuk \u00ebsht\u00eb pak si i shpejt\u00eb si revolucion?<\/strong><\/p>\n

\u00abHollywood i vjet\u00ebr ishte klinikisht i vdekur, jo akoma n\u00eb \u201968 apo n\u00eb \u201969, por n\u00eb \u201870 po\u00bb.<\/p>\n

E pse n\u00eb vitet \u201980 kinemaja amerikane u kthye duke b\u00ebr\u00eb filma si n\u00eb \u201950, duke i infantilizuar dhe p\u00ebr m\u00eb tep\u00ebr duke u censuruar vet\u00eb?<\/strong><\/p>\n

\u00abShtat\u00ebdhjeta qe nj\u00eb dekad\u00eb filmash q\u00eb sfidonin \u00e7do bindje, me personazhe komplekse, jasht\u00eb rreshtave dhe finale tragjiketip Nj\u00eb njeri trotuari<\/em>: happy ending<\/em>, gurthemeli i Hollywood, ishte b\u00ebr\u00eb i prapambetur. Pastaj Sylvester Stallone ka b\u00ebr\u00eb Rocky<\/em>, t\u00eb gjith\u00eb jan\u00eb \u00e7mendur dhe vu duke bler\u00eb bileta. M\u00eb pas, ja Star Wars <\/em>dhe Takime t\u00eb afruara t\u00eb llojit t\u00eb tret\u00eb<\/em>. Publiku ka zbuluar se duhej kthyer p\u00ebr t\u2019u arg\u00ebtuar dhe establishmenti ka rizbuluar sesi t\u00eb b\u00ebheshin para me kampion\u00eb ark\u00ebtimi si Peshkaqeni<\/em>. Deri n\u00eb r\u00ebnien e k\u00ebshtjell\u00ebs me falimentimin e United Artists p\u00ebr Dyert e qiellit <\/em>t\u00eb Cimino, q\u00eb refuzoi parimin e afirmuar n\u00eb vitet e m\u00ebparshme, dometh\u00ebn\u00eb q\u00eb regjisori mund t\u00eb b\u00ebj\u00eb \u00e7ka i do qejfi. Rifillojn\u00eb kontrollet, reduktohet dhuna, insinuohet korrekt\u00ebsia politike, ratingjet e autocensur\u00ebs b\u00ebhen m\u00eb t\u00eb rrept\u00eb\u00bb.<\/p>\n

Nd\u00ebrkaq movie brats<\/em>, djemt\u00eb e k\u00ebqinj t\u00eb kinemas\u00eb, dometh\u00ebn\u00eb Coppola, Bogdanovich, De Palma, Scorsese, Lucas, Milius, Spielberg dhe Schrader, filluan t\u00eb b\u00ebjn\u00eb filma q\u00eb tendencialisht lidhnin cil\u00ebsin\u00eb me ark\u00ebtimin, t\u00eb kaluar\u00ebn me t\u00eb tashmen…<\/strong><\/p>\n

\u00abAntisistemi i gjenerat\u00ebs s\u00eb m\u00ebparshme si Altman, Rafelson, Nichols donin ta b\u00ebnin filmin amerikan si europian\u00ebt, prish\u00ebs, dhe qen\u00eb t\u00eb aft\u00eb, por movie brats <\/em>dashuronin filmat e vjet\u00ebr t\u00eb par\u00eb kur ishin t\u00eb vegj\u00ebl edhe n\u00eb televizor: me Peshkaqenin<\/em>, Spielberg realizon nj\u00eb film madh\u00ebshtor p\u00ebrbind\u00ebshash dhe me Takimet e afruara <\/em>na jep versionin e tij t\u00eb Ultimatumit tok\u00ebs<\/em>; me Star Wars<\/em>, Lucas rip\u00ebrpunon Flash Gordon<\/em>. Ata fillimisht b\u00ebnin filmat antigjini, e shikonin kineman\u00eb e gjinis\u00eb nga lart posht\u00eb, nd\u00ebrsa movie brats <\/em>jo: ktheheshin me nj\u00eb vet\u00ebdije prej kinefili me Udh\u00ebtim n\u00eb qend\u00ebr t\u00eb tok\u00ebs <\/em>apo me 20000 lega n\u00ebn det<\/em>\u00bb.<\/p>\n

Midis gjinis\u00eb dhe antigjinis\u00eb nuk \u00ebsht\u00eb se kalohet gjithmon\u00eb…<\/strong><\/p>\n

\u00abN\u00eb mesin e viteve \u201970 filmat e Charles Bronson nuk qen\u00eb antigjini dhe John Wayne b\u00ebnte akoma filmat western i dikursh\u00ebm, por m\u00eb pas t\u00eb gjith\u00eb filmat gjini jan\u00eb b\u00ebr\u00eb antigjini: kur Frank Perry xhironte western dark e tij qen\u00eb antiwestern. E nj\u00ebjta vlen edhe p\u00ebr Njeriun e vog\u00ebl t\u00eb madh <\/em>t\u00eb Arthur Penn, bile edhe q\u00ebllimi final i Gangster Story<\/em>, me t\u00eb gjith\u00eb thrilling e tij, \u00ebsht\u00eb antigjini\u00bb.<\/p>\n

Ju i kushtoni nj\u00eb kapitull t\u00eb periudh\u00ebs hipotetike t\u00eb llojit t\u00eb tret\u00eb: sikur regjisori i Taxi Driver<\/em> t\u00eb kishte qen\u00eb De Palma. Duke e rip\u00ebrmbledhur: do t\u00eb dilte m\u00eb mir\u00eb apo m\u00eb keq?<\/strong><\/p>\n

\u00abM\u00eb keq, por me di\u00e7ka m\u00eb shum\u00eb: do t\u00eb kishte b\u00ebr\u00eb nj\u00eb thriller politik dhe nuk do t\u00eb indetifikohej me protagonist\u00eb si Scorsese dhe De Niro\u00bb.<\/p>\n

T\u00eb gjith\u00eb k\u00ebto filma i keni ripar\u00eb p\u00ebr t\u00eb shkruar librin apo keni ecur me kujtes\u00eb?<\/strong><\/p>\n

\u00abP\u00ebr pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb librit jam bazuar tek kujtesa, por filmave t\u00eb cilave u kam kushtuar nj\u00eb kapitull specifik i kam ripar\u00eb, jo vet\u00ebm p\u00ebr t\u00eb shkruar sh\u00ebnimet e mia, por edhe p\u00ebr t\u00eb par\u00eb n\u00ebse kisha di\u00e7ka t\u00eb re p\u00ebr t\u00eb th\u00ebn\u00eb. Sepse libri im nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb p\u00ebrmbledhje e titujve t\u00eb mi t\u00eb preferuar, disa jan\u00eb, t\u00eb tjer\u00eb jo, q\u00ebllimi nuk \u00ebsht\u00eb t\u00eb sinjalizohen ata q\u00eb duhen par\u00eb absolutisht. Jan\u00eb vet\u00ebm filma p\u00ebr t\u00eb cil\u00ebt kam di\u00e7ka p\u00ebr t\u00eb th\u00ebn\u00eb, lidhur me cilin t\u00eb nis nj\u00eb bashk\u00ebbisedim apo t\u00eb b\u00ebj eksplorime, se i \u00e7moj apo jo, duke sinjalizuar se ndoshta m\u00eb p\u00eblqen nj\u00ebra pjes\u00eb dhe tjetra jo\u00bb.<\/p>\n

Shkruani se Bullitt<\/em> \u00ebsht\u00eb kinema puro, nj\u00eb prej filmave m\u00eb t\u00eb mir\u00eb t\u00eb xhiruar, ku ajo q\u00eb vlen jan\u00eb aksioni, atmosfera, San Francisco, muzika e Lalo Schifrin dhe Steve McQueen \u2013 nga forma e flok\u00ebve tek veshjet. Po skema? Kurse n\u00eb filmat e tu ka shum\u00eb.<\/strong><\/p>\n

\u00abNj\u00eb thes me action movies<\/em> t\u00eb epok\u00ebs e mbysnin skem\u00ebn, nd\u00ebrsa n\u00ebse sheh Bullitt <\/em>nuk e vret mendjen p\u00ebr historin\u00eb, ka r\u00ebnd\u00ebsi atmosfera. Kritikja angleze Dilys Powell ka shkruar: \u201cP\u00ebrjashto filmat e Antonioni, nuk kam par\u00eb kurr\u00eb nj\u00eb p\u00ebrdorim t\u00eb peizazhit urban kaq efikas nga pik\u00ebpamja narrative dhe motivi\u201d. Nuk \u00ebsht\u00eb nj\u00eb film terreni, por ndjenje, njer\u00ebzish dhe kjo \u00ebsht\u00eb mjaft \u00e7liruese. Pastaj skema \u00ebsht\u00eb, edhe e mir\u00eb, por nuk e kujton askush\u00bb.<\/p>\n

Steve McQueen ka shum\u00eb hap\u00ebsir\u00eb n\u00eb lib\u00ebr dhe ka edhe Na ishte dikur… n\u00eb Hollywood, por nuk duket se \u00ebsht\u00eb simpatik.\u00a0 <\/strong><\/p>\n

\u00abM\u00eb p\u00eblqen shum\u00eb\u00bb.<\/p>\n

Edhe si person?<\/strong><\/p>\n

\u00abNuk e kam njohur, nuk e di dhe, ve\u00e7 nuk duhet t\u00eb punosh, nuk ka r\u00ebnd\u00ebsi n\u00ebse aktori \u00ebsht\u00eb biri i kurv\u00ebs m\u00eb i madh i t\u00eb gjitha koh\u00ebrave apo njeriu m\u00eb i mir\u00eb i bot\u00ebs. Si\u00e7 nuk m\u00eb duhet gare n\u00ebse nj\u00eb aktor shum\u00eb i keq \u00ebsht\u00eb njeri shum\u00eb i mir\u00eb: m\u00eb intereson si luan, nuk m\u00eb duhet t\u00eb shkoj p\u00ebr dark\u00eb me t\u00eb. Pra, McQueen m\u00eb p\u00eblqen shum\u00eb, por p\u00ebr mua nuk \u00ebsht\u00eb i r\u00ebnd\u00ebsish\u00ebm imazhi q\u00eb del nga libri, megjithat\u00eb kam folur shum\u00eb p\u00ebr t\u00eb, por edhe p\u00ebr Bullitt <\/em>dhe Getaway! <\/em>e Sam Peckinpah\u00bb.<\/p>\n

Finalet nuk jan\u00eb tamam roz\u00eb, por edhe shum\u00eb t\u00eb zeza, e filmave t\u00eb tu t\u00eb fundit shtyjn\u00eb t\u00eb mendosh se ju jeni duke u zbutur. \u00cbsht\u00eb nj\u00eb sinjal edhe t\u00eb pranosh sot, gjysm\u00eb shekulli m\u00eb pas, se Getaway!<\/em> \u00cbsht\u00eb nj\u00eb film sidomos dashurie, m\u00eb shum\u00eb sesa aksioni, si p\u00ebr m\u00eb tep\u00ebr i njohin francez\u00ebt sapo doli filmi? K\u00ebtu sinjalizohet se Tarantino emeton nj\u00eb ul\u00ebrim\u00eb t\u00eb v\u00ebrtet\u00eb. Sikur t\u00eb ishim n\u00eb af\u00ebrsi t\u00eb nj\u00eb kopshti zoologjik, nj\u00eb savane apo nj\u00eb xhungle do t\u2019ia atribuonim nj\u00eb elefanti. Kurse \u00ebsht\u00eb ai q\u00eb pas pak dit\u00ebsh, m\u00eb 27 mars, mbush 60 vje\u00e7. <\/strong><\/p>\n

\u00abPo ndryshoj, nuk jam m\u00eb ai q\u00eb ka b\u00ebr\u00eb Hienat<\/em>. N\u00eb nj\u00eb far\u00eb kuptimi jeta ime ka ndryshuar shum\u00eb \u00eb 5 vitet e fundit: zyrtarisht po b\u00ebhem m\u00eb i madh, n\u00eb mos zyrtarisht plak, por mendon edhe se Kill Bill <\/em>nuk \u00ebsht\u00eb domosdoshm\u00ebrisht nj\u00eb film aksioni apo hakmarrjeje, pasi n\u00eb thelb midis nuses dhe Bill ka sidomos nj\u00eb histori dashurie\u00bb.<\/p>\n

Po presim filmin tuaj t\u00eb dhjet\u00eb, q\u00eb mbi baz\u00ebn e njoftimeve t\u00eb kaluara, duhet t\u00eb jet\u00eb i fundit… <\/strong><\/p>\n

\u00abPo vjen, duhen p\u00ebrkufizuar akoma disa pika, por do t\u00eb b\u00ebhet\u00bb.<\/p>\n

(nga Il Venerdi<\/em>)<\/p>\n

P\u00ebrgatiti<\/strong><\/p>\n

ARMIN TIRANA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Kur ishte f\u00ebmij\u00eb prind\u00ebrit e \u00e7onin n\u00eb kinema t\u00eb shikonte gj\u00ebra \u201ct\u00eb m\u00ebdhenjsh\u201d. Tani i kujton ato tituj dhe shum\u00eb t\u00eb tjera n\u00eb nj\u00eb lib\u00ebr. N\u00eb pritje t\u00eb finales s\u00eb madhe, intervist\u00eb me Quentin Tarantino Quint \u00ebsht\u00eb fiksim me Rolling Thunder, revenge movie shum\u00eb i fort\u00eb, i shkruar nga Paul Schrader dhe i drejtuar nga …<\/p>\n","protected":false},"author":4,"featured_media":41690,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[42],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/41689"}],"collection":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/comments?post=41689"}],"version-history":[{"count":0,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/41689\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media\/41690"}],"wp:attachment":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media?parent=41689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/categories?post=41689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/tags?post=41689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}