{"id":29693,"date":"2022-11-25T10:47:58","date_gmt":"2022-11-25T10:47:58","guid":{"rendered":"https:\/\/rdnews.al\/?p=29693"},"modified":"2022-11-25T10:47:58","modified_gmt":"2022-11-25T10:47:58","slug":"kulti-i-san-siros","status":"publish","type":"post","link":"https:\/\/foltore.al\/index.php\/2022\/11\/25\/kulti-i-san-siros\/","title":{"rendered":"Kulti i San Siros"},"content":{"rendered":"<p><strong>T\u00eb shkat\u00ebrrohet apo jo stadiumi Meazza? Sgarbi kund\u00ebr Sala, Inter e Milan t\u00eb bashkuar. Hetim arkitektoniko \u2013 sentimental mbi debatin publik n\u00eb zhvillim<\/strong><\/p>\n<p>T\u00eb shp\u00ebtohet San Siro? Rocco Commisso, presidenti italoamerikan i Fiorentina, ka n\u00ebnvizuar me pragmatizmin anglosakson se stadiumi Wembley, monument i futbollit anglez i inauguruar m\u00eb 1923, seli e finales s\u00eb Bot\u00ebrorit 1966 dhe i 5 finaleve t\u00eb Kup\u00ebs s\u00eb Kampion\u00ebve, si edhe tempull i komb\u00ebtares albione, \u00ebsht\u00eb shkat\u00ebrruar pas shum\u00eb histori 20 vite m\u00eb par\u00eb p\u00ebr t\u2019i l\u00ebn\u00eb vendin impiantit t\u00eb ri dhe shum\u00eb modern. Mentalitet tjet\u00ebr, asnj\u00eb <em>Alterswert<\/em>, \u201cvler\u00eb moshe\u201d, e krijuar nga historiani i artit Alois Riegl tek <em>Kulti modern i monumenteve <\/em>(1903), nj\u00eb vler\u00eb q\u00eb u drejtohet t\u00eb gjith\u00ebve, nga kuptuesit e artit, deri tek masat. Tjet\u00ebr nuk \u00ebsht\u00eb ve\u00e7se \u201ckufizimi i kujtes\u00ebs\u201d i invokuar nga neon\u00ebnsekretari luftarak Vittorio Sgarbi kund\u00ebr k\u00ebshillit bashkiak t\u00eb Beppe Sala. E kot\u00eb t\u00eb diskutohet akoma p\u00ebr mekanizma financiar\u00eb q\u00eb pretendojn\u00eb stadiumin pron\u00ebsi p\u00ebr shoq\u00ebri futbollistike globale, likuide edhe pse t\u00eb privuara nga likuiditete, t\u00eb shp\u00ebrndara midis Amerik\u00ebs dhe Azis\u00eb, m\u00eb mir\u00eb t\u00eb konsiderohet n\u00eb fakt arkitektura e stadiumit ekzistues q\u00eb i jep emrin nj\u00eb lagjeje t\u00eb t\u00ebr\u00eb.<\/p>\n<p>Fillimisht ishte Siro di Pavia, peshkopi i par\u00eb dhe ende sot patroni i qytetit, i nderuar me nj\u00eb varr t\u00eb bukur n\u00eb katedralen bramanteske. Pastaj qe San Siro alla Vepra, kish\u00ebz e shekullit t\u00eb IX q\u00eb i ka dh\u00ebn\u00eb emrin lagjes s\u00eb vjet\u00ebr rurale t\u00eb San Siro, e p\u00ebrshkuar nga Vepra, kanal q\u00eb kanalizonte n\u00eb Milano uj\u00ebrat e Olona \u2013 i mbijeton absida e rib\u00ebr\u00eb me stilema t\u00eb protorilindjes lonbarde t\u00eb Guiniforte Solari (rivali ti\u00e7inez i toskanizuesit Filarete), sot e inkorporuar me Villa Triste. Pastaj vjen lagja e San Siro p\u00ebrgjat\u00eb Olona t\u00eb cil\u00ebs nuk i mbetet asgj\u00eb pas punimeve t\u00eb m\u00ebdha t\u00eb \u2018900 p\u00ebr \u201ckat\u00ebrk\u00ebnd\u00ebshin\u201d, i p\u00ebrb\u00ebr\u00eb fillimisht nga pallatet e m\u00ebdha popullore Aler dhe m\u00eb pas nga shum\u00eb vila t\u00eb m\u00ebdha t\u00eb vendosura alla amerikan\u00e7e sipas rrug\u00ebve t\u00eb kurb\u00ebta n\u00eb nj\u00eb miks unik rezidencash popullore dhe luksi. Mbi gjith\u00e7ka dominon masa e stadiumit, me infrastruktur\u00eb t\u00eb ngritur n\u00eb kryq\u00ebzim simbolik t\u00eb dy shpirt\u00ebrave antropologjike menegine, at\u00eb <em>casciavit <\/em>(Milan) dhe at\u00eb <em>bauscia <\/em>(Inter). Nd\u00ebrtesa nuk \u00ebsht\u00eb sakt\u00ebsisht as nj\u00eb <em>landmark<\/em> si Stadio dei Marmi (1932) i Enrico Del Debbio n\u00eb\u00a0 Rom\u00eb, as sigurisht nj\u00eb kryevep\u00ebr si Artemio Franchi (1931) i projektuar nga Pier Luigi Nervi n\u00eb Firenze, por \u00ebsht\u00eb nj\u00eb shtres\u00ebzim strukturash vazhdimisht t\u00eb p\u00ebrshtatura p\u00ebr q\u00ebllime t\u00eb reja.<\/p>\n<p>N\u00eb vitin 1926 Piero Pirelli, djali i themeluesit Giovanni dhe xhaxhai i Leopoldo, nd\u00ebrton me parat\u00eb e tij nj\u00eb stadium p\u00ebr Milanin i t\u00eb cilit \u00ebsht\u00eb president \u2013 si armik, Pirelli m\u00eb pas do t\u00eb jet\u00eb nj\u00eb nga sponsor\u00ebt m\u00eb jet\u00ebgjat\u00eb t\u00eb Interit fal\u00eb Marco Tronchetti Provera. I pari \u00ebsht\u00eb nj\u00eb impiant tipik anglez me kat\u00ebr tribuna vij\u00ebdrejta me betonarme, nj\u00eb prej t\u00eb cilave \u00ebsht\u00eb pjes\u00ebrisht e mbuluar me pensilin\u00eb prej hekuri dhe eterniti, me nj\u00eb kapacitet total prej 35000 \u2013 40000 spektator\u00ebsh. Projektuesit jan\u00eb inxhinieri Alberto Cugini dhe arkitekti fiorentinas Ulisse Stacchini, autor edhe i stacionit qendror, i Banco Ambrosiano dhe i restorantit Savini n\u00eb Galleria Vittorio Emanuele II. Me rritjen e shtuar t\u00eb popullaritetit t\u00eb futobllit, Komuna e Milanos e blen struktur\u00ebn m\u00eb 1935, menj\u00ebher\u00eb pas Bot\u00ebrorit t\u00eb nj\u00eb viti m\u00eb par\u00eb t\u00eb fituar nga komb\u00ebtarja e Vittorio Pozzo (q\u00eb luan n\u00eb San Siro gjysm\u00ebfinalen me Austrin\u00eb), dhe ia rrit kapacitetin deri n\u00eb 60000 spektator\u00eb duke shtuar tribunat dhe me p\u00ebrshtatje t\u00eb tjera t\u00eb besuar nj\u00eb \u00e7ifti tjet\u00ebr inxhinieri dhe arkitekti, Bertera dhe Perlasca. Nga viti 1947 stadiumi mir\u00ebpret edhe Interin, q\u00eb m\u00eb par\u00eb luante n\u00eb Arena Civica, sot e titulluar me emrin e Gianni Brera q\u00eb e maskonte fen\u00eb e tij zikalt\u00ebr duke u shpallur tifoz xhenoan, e famshme ironia e tij malinje kund\u00ebr abatit t\u00eb vog\u00ebl Rivera.<\/p>\n<p>Zgjerimi i dyt\u00eb, i nisur m\u00eb 1954 akoma nga nj\u00eb \u00e7ift i formuar nga arkitekti Armando Ronca dhe nga inxhinieri Ferruccio Calzolari n\u00eb vitet e bumit nd\u00ebrsa b\u00ebjn\u00eb namin nga nj\u00ebra an\u00eb Benito \u201chelmi\u201d Lorenzi dhe nga ana tjet\u00ebr treshja Gre \u2013 No \u2013 Li: duke shfry\u00ebtzuar struktura paraekzistuese realizohet nj\u00eb unaz\u00eb e dyt\u00eb me shkall\u00eb q\u00eb mbulojn\u00eb tribunat e vjetra, t\u00eb sh\u00ebrbyera nga nj\u00eb seri rampash helikoidale me akes t\u00eb jasht\u00ebm me impakt t\u00eb konsideruesh\u00ebm q\u00eb e rinovojn\u00eb k\u00ebshtu pamjen e impiantit. Spektator\u00ebt ngjiten n\u00eb 85000, pak vite m\u00eb von\u00eb i shtohet edhe nj\u00eb impiant ndri\u00e7imi nat\u00ebn, nd\u00ebrsa interisti Adriano Celentano k\u00ebndon <em>Il tuo bacio \u00e8 come un rock<\/em>. Vitet p\u00ebrrallore \u201960 jan\u00eb ato t\u00eb duelit midis Alberto Rizzoli dhe Angelo Moratti, midis <em>par\u00f2n <\/em>Nereo Rocco dhe magjistarit Helenio Herrera, pasi t\u00eb dy fitojn\u00eb Kupat e Kampion\u00ebve t\u00eb para dhe Nd\u00ebrkontinentalet italiane fal\u00eb dy versioneve t\u00eb ndryshme t\u00eb <em>catenaccio<\/em>. Vitet \u201970 jan\u00eb m\u00eb pak brilantlt, por rreth stadiumit fiton vend Derby i via Monte Rosa, lokal nate shp\u00ebrthyes i populluar nga muzikant\u00eb, Jannacci milanist kund\u00ebr Gaber interist, dhe aktor\u00eb debutues, thuajse t\u00eb gjith\u00eb kuqezinj, nga Abatantuono, Boldi, Teocoli tek Cochi &amp; Renato dhe thuajse t\u00eb gjith\u00eb rekrutohen nga e sapolindura Fininvest dhe nga kinemaja komerciale. N\u00eb 1979 nd\u00ebrrojn\u00eb jet\u00eb fillimisht Nereo Rocco dhe pak muaj m\u00eb pas Giuseppe Meazza, kampion me t\u00eb dyja skuadrat, dhe k\u00ebshtu stadiumi ripag\u00ebzohet n\u00eb nderim t\u00eb k\u00ebtij t\u00eb fundit. Milanist\u00ebt si Beppe Viola, shpik\u00ebsi i moviol\u00ebs p\u00ebr \u201cDomenica Sportiva\u201d e lindur n\u00eb RAI e corso Sempione dhe skenarist i <em>Romanzo popolare <\/em>(1974) t\u00eb Mario Monicelli, frekuentonin shum\u00eb edhe hipodromin ngjitur p\u00ebr bastet katastrofike q\u00eb \u201cshkonin n\u00eb Lampugnano\u201d, dometh\u00ebn\u00eb gjithnj\u00eb t\u00eb humbura, jo rast\u00ebsisht presidenti i 3 titujve t\u00eb par\u00eb t\u00eb Milan Cricket and Football Club vdiq n\u00eb incident me kal\u00eb n\u00eb 1908: Edward Nathan Berra, kush\u00ebri i arkitektit t\u00eb Torre Velasca, Ernesto Nathan Rogers \u2013 Interi do t\u00eb lind\u00eb nj\u00eb vit m\u00eb pas nga ortak\u00ebt e shk\u00ebputur t\u00eb t\u00eb Milanit, me nj\u00eb president t\u00eb par\u00eb me origjin\u00eb hebraiko \u2013 shqiptare, Giovanni Paramithiotti.<\/p>\n<p>Tek <em>Vite vere compresa la mia <\/em>(1981), botuar nj\u00eb vit p\u00ebrpara se t\u00eb vdiste, Viola tregon se \u201cnj\u00eb dit\u00eb kalon aty me makin\u00eb me gruan Franca q\u00eb n\u00eb Piazzale Axum ngre syt\u00eb dhe thot\u00eb pakashum\u00eb k\u00ebshtu: \u201c\u00c7far\u00eb dreqin \u00ebsht\u00eb ai nd\u00ebrtim i friksh\u00ebm?\u201d. \u201cAi q\u00eb na jep buk\u00ebn\u201d, i p\u00ebrgjigjet Beppe. Vend romanticizmi t\u00eb d\u00ebshp\u00ebruar nga 14 e 30 n\u00eb 16 e 15 t\u00eb \u00e7do t\u00eb diele, por edhe me seksualitet shp\u00ebrthyes n\u00eb t\u00eb gjitha dit\u00ebt dhe or\u00ebt e jav\u00ebs, dometh\u00ebn\u00eb kur territori n\u00eb fjal\u00eb pushtohet nga \u00e7iftet klandestine n\u00eb k\u00ebrkim t\u00eb maratonetave sublime dhe t\u00eb pap\u00ebrkuluara n\u00eb p\u00ebrgatitje p\u00ebr Stramilano\u201d. Menj\u00ebher\u00eb pas Viola, nd\u00ebrron jet\u00eb Vittorio Sereni, poet i madh dhe interist shum\u00eb i madh, n\u00eb pik\u00ebn sa t\u00eb pyes\u00eb tek <em>Il fantasma nerazzurro <\/em>n\u00ebse Interi i \u00e7mendur mos z\u00eb nj\u00eb pjes\u00eb shum\u00eb t\u00eb madhe t\u00eb mendimeve t\u00eb tij dhe n\u00eb pik\u00ebn sa t\u2019i kushtoj\u00eb San Siro poezi dhe proz\u00eb: \u201c\u00cbsht\u00eb shum\u00eb bukur t\u00eb shkosh dit\u00ebn, gjat\u00eb or\u00ebve t\u00eb pun\u00ebs, dhe t\u00eb v\u00ebrtitesh p\u00ebrreth atij boshll\u00ebku dhe heshtjeje t\u00eb madhe\u201d.<\/p>\n<p>K\u00ebshtu m\u00eb 1986, pas skandalit t\u00eb llotove futbollistike, n\u00eb Milano vjen Silvio Berlusconi, Adriano Galliani, Arrigo Sacchi, loja n\u00eb zon\u00eb dhe 3 hollandez\u00ebt kund\u00ebr 3 gjerman\u00ebve t\u00eb Interit t\u00eb rekordeve t\u00eb t\u00eb madhit ish Trapattoni, g\u00eblojn\u00eb kupa dhe topa t\u00eb art\u00eb n\u00eb \u201cMilano da bere\u201d. N\u00eb pritje t\u00eb Bot\u00ebrorit t\u00eb 1990 b\u00ebhet nj\u00eb ristrukturim tjet\u00ebr i madh i San Siro i firmosur nga arkitekt\u00ebt Giancarlo Ragazzi, Enrico Hoffer dhe nga inxhinier Leo Finzi, q\u00eb e ri\u00e7on kapacitetin n\u00eb 85700 vende. Jemi n\u00eb agimin e Tangentopoli, PSI mbret\u00ebron akoma sovrane n\u00eb \u201ckryeqytetin moral\u201d. Djem p\u00ebr gjith\u00eb jet\u00ebn kan\u00eb punuar p\u00ebr Edilnord e Berlusconi, nga lagja Brugherio n\u00eb Milano 2 (\u201cqyteti p\u00ebr numrat nj\u00eb\u201d) p\u00ebrve\u00e7 qendrave t\u00eb prodhimit televiziv t\u00eb Segrate dhe Cologno Monzese ku realizohet edhe kulla Mediaset 100 metra e lart\u00eb. Shtohet edhe unaza e tret\u00eb dhe mbulesa, e mb\u00ebshtetur nga trar\u00eb spektakolar\u00eb metalik\u00eb t\u00eb kuq, \u00ebsht\u00eb n\u00eb 75 metra lart\u00ebsi. Punime t\u00eb tjera t\u00eb vogla i mund\u00ebsojn\u00eb impiantit t\u00eb pres\u00eb edhe ndeshjet e rregbis\u00eb. Menj\u00ebher\u00eb pas zbritjes n\u00eb fush\u00eb t\u00eb 1994, n\u00eb 1995 tek Interi fillon epoka e Massimo Moratti dhe e Ronaldo fenomenit, e zgjatur rreth 20 vjet me gjith\u00eb shpur\u00ebn e komik\u00ebve interist\u00eb antiberlusconian\u00eb t\u00eb majt\u00eb, Gino&amp;Michele, Paolo Rossi, Michele Serra e kulmuar me tripletin e Mourinho t\u00eb 2010. Arkitekt\u00ebt jan\u00eb t\u00eb ndar\u00eb jo vet\u00ebm profesionalisht, por edhe futbollistikisht: milanist\u00eb si Aldo Rossi, edhe pse mbizot\u00ebrojn\u00eb numerikisht interist\u00eb si Giorgio Grassi, qp p\u00ebr autobiografin\u00eb e tij nuk ka hezituar t\u00eb perifrazoj\u00eb k\u00ebng\u00ebn e Ligabue kushtuar Oriali, <em>Una vita da architetto <\/em>(st\u00ebpia botuese Franco Angeli, 2008). Anasjelltas, djajt\u00eb mbizot\u00ebrojn\u00eb midis botuesve: n\u00eb numrin e fundit t\u00eb revist\u00ebs s\u00eb botuar nga Iperborea \u201cThe Passenger\u201d, monografike lidhur me Milanon, flitet vet\u00ebm p\u00ebr president\u00eb milanist\u00eb si shprehje e er\u00ebrave t\u00eb ndryshme gjeopolitike t\u00eb qytetit \u2013 n\u00eb fund t\u00eb fundit v\u00ebllez\u00ebrit Biancardi jan\u00eb t\u00eb fes\u00eb kuqezi, ashti si Luca Formenton i Saggiatore dhe Alberto Saibene i Hoepli. Vet\u00ebm Andrea Gessner i Nottetempo \u00ebsht\u00eb nga ana e Beneamata, t\u00eb gjith\u00eb apo thuajse t\u00eb gjith\u00eb jan\u00eb dakord me shkat\u00ebrrimin dhe z\u00ebvend\u00ebsimin.<\/p>\n<p>Sipas Nicola Russi, arkitekt dhe profesor i armat\u00ebs milaniste, duhet mbajtur parasysh sesa San Siro \u00ebsht\u00eb sot monumenti i dyt\u00eb milanez m\u00eb i vizituar nga turist\u00ebt, sidomos aziatik\u00ebt, me popullaritet t\u00eb pafund\u00ebm, \u201cn\u00eb Itali nuk e llogarisim mjafton t\u00eb shkosh n\u00eb nj\u00eb bar n\u00eb Kore apo n\u00eb Hong Kong p\u00ebr ta gjetur t\u00eb varur nj\u00eb imazh t\u00eb tijin. Grupet e japonez\u00ebve e marrin metron\u00eb vet\u00ebm p\u00ebr t\u00eb shkuar e b\u00ebr\u00eb nj\u00eb foto si kujtim. Ideja e shkat\u00ebrrimit p\u00ebr ta rind\u00ebrtuar duke menduar se kursehet dhe b\u00ebhet m\u00eb i mir\u00eb \u00ebsht\u00eb teknokratike ose, m\u00eb mir\u00eb, \u00ebsht\u00eb si t\u00eb z\u00ebvend\u00ebsosh nj\u00eb mobilje t\u00eb vjet\u00ebr t\u00eb \u00e7muar t\u00eb familjes me nj\u00eb cop\u00eb Ikea sepse m\u00eb moderne dhe m\u00eb praktike, nj\u00eb ide provinciale, pa llogaritur pasojat e shkat\u00ebrrimit t\u00eb nj\u00eb mali me betonarme\u201d. T\u00eb gjitha komunitetet jan\u00eb t\u00eb p\u00ebr\u00e7ara lidhur me stadiumin, edhe biseda kilometrike i intelektual\u00ebve milanist\u00eb e kryesuar nga Giacomo Papi: \u201cUn\u00eb jam laik, t\u00eb lihet apo t\u00eb prishet San Siro nuk m\u00eb duket blasfeme. Ajo q\u00eb v\u00ebrej \u00ebsht\u00eb se \u00ebsht\u00eb gjithmon\u00eb plot k\u00ebshtu q\u00eb nuk e shiko ar\u00ebysen e z\u00ebvend\u00ebsimit me nj\u00eb m\u00eb t\u00eb vog\u00ebl, ve\u00e7 n\u00eb mos rriten \u00e7mimet, q\u00eb tashm\u00eb jan\u00eb shum\u00eb t\u00eb lart\u00eb\u201d. Stefano Boeri, q\u00eb e ka familjen e p\u00ebr\u00e7ar\u00eb (v\u00ebllez\u00ebr dhe ni\u00ebpr kuqezinj, f\u00ebmij\u00eb zikalt\u00ebr si ai), si president i Triennale mir\u00ebpret festivalin Milano Calcio City dhe debatin shum\u00eb t\u00eb komplikuar aktual, \u201cSan Siro \u00ebsht\u00eb nj\u00eb sken\u00eb, \u00e7do gjenerat\u00eb e milanez\u00ebve ka kontribuar q\u00eb ta implementoj\u00eb, gjat gjith\u00eb jet\u00ebs time profesionale kam propozuar ide p\u00ebr ta p\u00ebrmir\u00ebsuar, duke organizuar evente me Domus, duke i rib\u00ebr\u00eb dhomat e zhveshjes, duke propozuar q\u00eb ta ndaja me dy hyrje t\u00eb ve\u00e7anta, nj\u00ebrin p\u00ebr Milanin dhe tjetrin p\u00ebr Interin\u00a0 \u2013 nj\u00ebrin n\u00eb sheshin Axum, tjetrin nga Trotto \u2013 duke ia shkurtuar kostot p\u00ebrgjysm\u00eb, ide e vler\u00ebsuar edhe n\u00eb nivel t\u00eb p\u00ebrgjithsh\u00ebm, por jo nga pron\u00ebsit\u00eb aktuale. N\u00ebse ka nj\u00eb konkurs idesh\u00eb p\u00ebr ta rib\u00ebr\u00eb, nga profesionist\u00eb ballafaqohemi, i kemi projektuar nj\u00eb edhe ne, i pasur me gjelb\u00ebrim dhe q\u00eb mban parasysh kontekstin e t\u00eb gjith\u00eb zon\u00ebs, t\u00eb tunelit n\u00ebntok\u00ebsor dhe t\u00eb parqeve limitrofe. Gjith\u00e7ka mund t\u00eb b\u00ebhet, e r\u00ebnd\u00ebsishme \u00ebsht\u00eb se ka nj\u00eb vizion urbanistik m\u00eb t\u00eb gjer\u00eb, jo vet\u00ebm t\u00eb finalizuar tek impianti\u201d. Kurse San Siro e re do t\u00eb firmoset nga nj\u00eb studio angleze e specializuar, Populous, q\u00eb sapo ka hapur nj\u00eb seli n\u00eb qytet.<\/p>\n<p>Por Alterswert vazhdon t\u00eb shfaqet dhe k\u00ebrc\u00ebnon ta sabotoj\u00eb operacionin, pavar\u00ebsisht se iteri e ka kaluar tashm\u00eb \u00e7do kalim burokratik p\u00ebrfshi at\u00eb zakonisht t\u00eb v\u00ebshtir\u00eb t\u00eb Mbik\u00ebqyrjes. Natyra sentimentale e vler\u00ebs s\u00eb mosh\u00ebs \u00ebsht\u00eb faktikisht jo e prish\u00ebshme, do t\u00eb thoshte Nicol\u00f2 Carosio: Sandro Mazzola q\u00eb sapo ka mbushur 80 vje\u00e7 e ka p\u00ebrs\u00ebritur n\u00eb Giornale Radio, edhe nj\u00ebher\u00eb akoma n\u00eb stafet\u00eb me Rivera, plus me mb\u00ebshtetjen e Vasco Rossi, Massimo p\u00ebrfaq\u00ebsues i legjioneve interiste t\u00eb provinc\u00ebs. N\u00eb fund t\u00eb fundit, \u201cla Scala del calcio\u201d nga vitet \u201980 \u00ebsht\u00eb edhe skena e koncerteve m\u00eb t\u00eb famshme t\u00eb Italis\u00eb, disa prej t\u00eb cilave historike si ai i Bob Marley i 1980 dhe m\u00eb pas Bruce Springsteen, U2, Michael Jackson p\u00ebrve\u00e7 Rossi, Laura Pausini, Negramaro. Si tek <em>Tre uomini e una gamba <\/em>(1997) i Aldo, Giovanni dhe Giacomo, n\u00eb lot kur fillon <em>Luci a San Siro <\/em>(1971) i Roberto Vecchioni n\u00eb makin\u00eb, \u201cnuk e duroj dot, shum\u00eb kujtime\u201d, si gjithmon\u00eb p\u00ebrball\u00eb perspektiv\u00ebs modernizuese mbizot\u00ebron sentimentalizmi i p\u00ebrgjith\u00ebsuar dhe tundimi i marshimit prapa jasht\u00eb koh\u00ebs maksimale: \u201cMilano m\u00eb fal po b\u00ebja shaka \/ Dritat n\u00eb San Siro nuk do t\u00eb ndizen m\u00eb\u201d.<\/p>\n<p>(nga <em>Il Foglio<\/em>)<\/p>\n<p><strong>P\u00ebrgatiti<\/strong><\/p>\n<p><strong>ARMIN TIRANA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>T\u00eb shkat\u00ebrrohet apo jo stadiumi Meazza? Sgarbi kund\u00ebr Sala, Inter e Milan t\u00eb bashkuar. Hetim arkitektoniko \u2013 sentimental mbi debatin publik n\u00eb zhvillim T\u00eb shp\u00ebtohet San Siro? Rocco Commisso, presidenti italoamerikan i Fiorentina, ka n\u00ebnvizuar me pragmatizmin anglosakson se stadiumi Wembley, monument i futbollit anglez i inauguruar m\u00eb 1923, seli e finales s\u00eb Bot\u00ebrorit 1966 &hellip;<\/p>\n","protected":false},"author":4,"featured_media":29694,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[39],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/29693"}],"collection":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/comments?post=29693"}],"version-history":[{"count":0,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/29693\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media\/29694"}],"wp:attachment":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media?parent=29693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/categories?post=29693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/tags?post=29693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}