\u00cbsht\u00eb nj\u00eb shkrimtar tanzanian dhe n\u00eb 2021 ka marr\u00eb \u00c7mimin Nobel p\u00ebr Let\u00ebrsin\u00eb. Romanet e tij jan\u00eb t\u00eb frym\u00ebzuar nga historia afrikane dhe denoncojn\u00eb dhunat dhe racizmin me t\u00eb cilat \u00ebsht\u00eb njollosur Europa.<\/p>\n
N\u00eb mesin e shtatorit ka dal\u00eb n\u00eb Gjermani libri i ri i Abdulrazak Gurnah,\u00a0Nachleben\u00a0<\/em>(Z\u00ebra n\u00eb arrati<\/em>). Kur nj\u00eb vit m\u00eb par\u00eb ka marr\u00eb Nobelin p\u00ebr Let\u00ebrsin\u00eb, shkrimtari 73 vje\u00e7ar tanzanian i natyralizuar britanik njihej tashm\u00eb n\u00eb mjedisin anglishtfol\u00ebs dhe kishte qen\u00eb em\u00ebruar shum\u00eb her\u00eb p\u00ebr Booker Prize, \u00e7mimin letrar me prestigjioz t\u00eb Mbret\u00ebris\u00eb s\u00eb Bashkuar. Por kur ka fituar Nobelin n\u00eb Gjermani asnj\u00eb prej librave t\u00eb tij nuk ishte i disponuesh\u00ebm dhe t\u00eb fundit as nuk qen\u00eb p\u00ebrktheyer. N\u00eb librari romanet e tij nuk gjendeshin, edhe pse Gurnah me vepr\u00ebn e tij kishte hedhur drit\u00eb pik\u00ebrisht mbi krimet e kryera nga gjerman\u00ebt n\u00eb ish kolonit\u00eb e Afrik\u00ebs Lindore, kur n\u00eb fillimet e \u2018900 shtyp\u00ebn me forc\u00eb revolt\u00ebn e popullsive kund\u00ebr dominimit kolonial. Dogj\u00ebn fusha dhe fshatra duke shkaktuar zi buke, masakruan krer\u00ebt afrikan\u00eb dhe i ngul\u00ebn n\u00ebp\u00ebr hunj kafkat e tyre. Pastaj, kur luftuan Luft\u00ebn e Par\u00eb Bot\u00ebrore kund\u00ebr fuqive t\u00eb tjera koloniale n\u00eb rajon shklat\u00ebrruan at\u00eb q\u00eb sot \u00ebsht\u00eb Tanzania. Gurnah nuk ia treguar k\u00ebto histori vet\u00ebm tek\u00a0Z\u00ebra n\u00eb arrati<\/em>, por n\u00eb k\u00ebt\u00eb roman e b\u00ebn me intensitet t\u00eb ve\u00e7ant\u00eb, duke treguar efektet e brutalitetit t\u00eb Gjermanis\u00eb kundrejt afrikan\u00ebve deri n\u00eb Luft\u00ebn e Dyt\u00eb Bot\u00ebrore e m\u00eb tej.<\/p>\n Abdulrazak Gurnah ka lindur n\u00eb 1948 n\u00eb ishullin e Zanzibarit, q\u00eb sot \u00ebsht\u00eb pjes\u00eb e Tanzanis\u00eb. Familja e tij vjen nga pakica arabe myslimane q\u00eb ka modeluar ekonomin\u00eb dhe politik\u00ebn e ishullit. N\u00eb 1968, kur ishte 20 vje\u00e7, p\u00ebr shkak t\u00eb klim\u00ebs s\u00eb r\u00ebnd\u00eb politike u transferua n\u00eb Mbret\u00ebrin\u00eb e Bashkuar, u b\u00eb pedagog i Let\u00ebrsis\u00eb Angleze e Paskoloniale dhe, n\u00eb vitet \u201880, filloi t\u00eb shkruaj\u00eb romane. Sot jeton n\u00eb Canterbury, nj\u00eb qytet n\u00eb jugper\u00ebndim t\u00eb Londr\u00ebs, i famsh\u00ebm prej katedrales s\u00eb tij dhe pse \u00ebsht\u00eb selia e Kish\u00ebs Anglikane. Shkoj p\u00ebr ta takuar t\u00eb nes\u00ebrmen e vdekjes s\u00eb mbret\u00ebresh\u00ebs Elizabeta e II. Gurnah banon n\u00eb nj\u00eb rrug\u00eb anonime, n\u00eb nj\u00eb prej sht\u00ebpive monofamiljare tipike t\u00eb Mbret\u00ebris\u00eb s\u00eb Bashkuar, nj\u00eb apartament mjaft i thjesht\u00eb dhe i bukur n\u00eb klasicitetin e tij t\u00eb privuar nga salltanete. I bie ziles dhe, pa th\u00ebn\u00eb asnj\u00eb fjal\u00eb, por duke u treguar i p\u00ebrzem\u00ebrt, \u00c7mimi Nobel m\u00eb fut brenda dhe m\u00eb thot\u00eb ta ndjek n\u00eb dhom\u00ebn e ndenjes, ku ka divan\u00eb tek cil\u00ebt mund t\u00eb ulemi p\u00ebr qejf. M\u00eb sh\u00ebrben nj\u00eb filxhan t\u00eb madh \u00e7aji, nj\u00eb grumbull me \u00e7okollata dhe pret pyetjen e par\u00eb. Gurnah \u00ebsht\u00eb nj\u00eb bashk\u00ebbisedues serioz, i sjellsh\u00ebm dhe sforcohet t\u00eb gjej\u00eb gjithmon\u00eb fjal\u00ebt e duhura. \u00cbsht\u00eb aq i p\u00ebrq\u00ebndruar mbi gj\u00ebrat q\u00eb do t\u00eb thot\u00eb sa q\u00eb \u00ebsht\u00eb shum\u00eb e v\u00ebshtir\u00eb ta b\u00ebsh t\u00eb flas\u00ebsh pakashum\u00eb. Diskutojm\u00eb p\u00ebr kolonializmin dhe veprat e tij, n\u00eb m\u00ebnyr\u00eb t\u00eb ve\u00e7ant\u00eb p\u00ebr romanin e tij t\u00eb ri.<\/p>\n Farsa e qytet\u00ebrimit<\/strong><\/p>\n Historia e\u00a0Z\u00ebrave n\u00eb arrati\u00a0<\/em>sillet rreth kat\u00ebr personazheve kryesor\u00eb dhe b\u00ebn nj\u00eb panoramike t\u00eb gjer\u00eb t\u00eb luft\u00ebrave koloniale n\u00eb Afrik\u00ebn Lindore. Nj\u00eb prej protagonist\u00ebve quhet Hamza dhe \u00ebsht\u00eb nj\u00eb figur\u00eb tipike e romaneve t\u00eb Gurnah. Kur ishte f\u00ebmij\u00eb, p\u00ebr shkak t\u00eb borxheve, familja e tij e ka ceduar tek nj\u00eb treg\u00ebtar. Jeton si skllav, i n\u00ebnshtruar, pa perspektiva. Si shum\u00eb t\u00eb rinj afrikan\u00eb t\u00eb epok\u00ebs, Hamza bashkohet me\u00a0Schutztruppe<\/em>, ushtrin\u00eb koloniale gjermane, duke u b\u00ebr\u00eb k\u00ebshtu nj\u00eb askar, si\u00e7 quhen ushtar\u00ebt afrikan\u00eb q\u00eb i sh\u00ebrbenin perandoris\u00eb dhe p\u00ebrb\u00ebnin pjes\u00ebn m\u00eb t\u00eb madhe t\u00eb trupave n\u00eb vend. Hamza b\u00ebhet asistent i nj\u00eb komandanti q\u00eb ka nj\u00eb interes t\u00eb qart\u00eb seksual ndaj tij. Komandanti luhatet midis dhun\u00ebs dhe dashuri\u00ebs, i m\u00ebson djalit gjermanisht dhe e njeh me vepr\u00ebn e Friedrich Schiller. N\u00eb fund t\u00eb fundit, sipas perandoris\u00eb, ajo koloniale kishte edhe nj\u00eb \u201cmision qytet\u00ebrues\u201d.<\/p>\n N\u00eb vepr\u00ebn e Gurnah trash\u00ebgimia humaniste q\u00eb gjerman\u00ebt u propozojn\u00eb afrikan\u00ebve natyrisht q\u00eb rezulton nj\u00eb fars\u00eb. Lexojn\u00eb Schiller, Goethe, Heine dhe pastaj u v\u00ebn\u00eb zjarrin fshatrave t\u00eb t\u00ebra. Kan\u00eb pretendimin e sjelljes n\u00eb Afrik\u00eb e m\u00eb t\u00eb mir\u00ebs s\u00eb kultur\u00ebs, por i fshikullojn\u00eb sipas qejfit t\u00eb n\u00ebnshtruarit e tyre n\u00eb ushtri. Pushteti q\u00eb ushtrojn\u00eb mbi afrikan\u00ebt vjen edhe nga nj\u00eb ndjenj\u00eb superioriteti kulturor. Poezia nuk kufizohet n\u00eb kamuflimin e dhun\u00ebs, i \u00ebsht\u00eb pjes\u00eb p\u00ebrb\u00ebr\u00ebse. Gurnah tregon p\u00ebr gjyshin e tij ose m\u00eb mir\u00eb p\u00ebr daj\u00ebn e n\u00ebn\u00ebs s\u00eb saj, q\u00eb n\u00eb familje p\u00ebr thjesht\u00ebsi e quajn\u00eb gjysh. Si f\u00ebmij\u00eb Gurnah d\u00ebgjoi \u00eb flitet p\u00ebr her\u00eb t\u00eb par\u00eb p\u00ebr gjerman\u00ebt pik\u00ebrisht nga ai. Gjyshi kishte qen\u00eb i rekrutuar si hamall nga\u00a0Schutztruppe<\/em>. N\u00eb luft\u00eb ushtar\u00ebt afrikan\u00eb n\u00ebn komand\u00ebn gjermane niseshin n\u00eb mision bashk\u00eb me familjet e tyre dhe duhej t\u00eb transportonin n\u00eb vende t\u00eb thella si pajisjet ushtarake, ashtu edhe pajisjes sht\u00ebpijake. Midis hamejve, shpesh t\u00eb zbathur p\u00ebrgjat\u00eb rrug\u00ebs, t\u00eb privuar nga kura mjek\u00ebsore dhe t\u00eb trajtuar brutalisht, p\u00ebrqindja e vdekjeve ishte shum\u00eb e lart\u00eb. Shum\u00eb dezertonin sapo mundeshin. Ka mund\u00ebsi q\u00eb qe edhe rasti i gjyshit t\u00eb tij, mendon Gurnah.\u00a0Z\u00ebrat n\u00eb arrati\u00a0<\/em>rr\u00ebfen kushtet e jetes\u00ebs s\u00eb mjer\u00eb t\u00eb hamejve, e p\u00ebrpjekjeve t\u00eb afrikan\u00ebve t\u00eb rekrutuar p\u00ebr t\u00eb b\u00ebr\u00eb karrier\u00eb n\u00eb ushtrin\u00eb gjermane n\u00eb tmerrin lakuriq n\u00eb t\u00eb cilin rr\u00ebshqasin pa e kuptuar fare.<\/p>\n T\u00eb ardhurit e fundit<\/strong><\/p>\n F\u00ebmij\u00ebria dhe rinia e tij, thot\u00eb Gurnah, jan\u00eb shoq\u00ebruar nga historit\u00eb p\u00ebr gjerman\u00ebt. N\u00eb at\u00eb koh\u00eb, shpjegon shkrimtari, kolonizator\u00ebt e kishin l\u00ebn\u00eb vendin prej shum\u00eb koh\u00ebsh, por vazhdonin t\u00eb trazonin kujtes\u00ebn e t\u00eb moshuarve: \u201cGjerman\u00ebt kishin qen\u00eb t\u00eb fundit q\u00eb kishin ardhur, ndjeheshin n\u00eb v\u00ebshtir\u00ebsi dhe t\u00eb k\u00ebrc\u00ebnuar, ndoshta edhe p\u00ebr k\u00ebt\u00eb ars\u00ebye silleshin n\u00eb m\u00ebnyr\u00eb kaq brutale. Nuk pat\u00ebn ardhur si treg\u00ebtar\u00eb, si\u00e7 kishin b\u00ebr\u00eb fillimisht fuqit\u00eb e tjera koloniale, por si pushtues\u201d. N\u00eb nj\u00eb pik\u00eb t\u00eb caktuar t\u00eb romanit Hamza plagoset r\u00ebnd\u00eb nga nj\u00eb tetar i \u00e7mendur i nj\u00ebsis\u00eb s\u00eb tij, xheloz nga af\u00ebrsia e tij me komandantin. Familja e nj\u00eb kleriku gjerman kujdeset p\u00ebr t\u00eb plagosurin derikur nuk do t\u00eb kthehet n\u00eb sht\u00ebpi, n\u00eb breg. Aty takon t\u00eb ren\u00eb Afiya, e cila pret m\u00eb kot nga kthimi prej luft\u00ebs v\u00ebllain e saj Ilyas. Edhe Ilyas i \u00ebsht\u00eb bashkuar\u00a0Schutztruppe<\/em>\u00a0me nj\u00eb entuziaz\u00ebm t\u00eb caktuar. N\u00eb romanin e Gurnah, historia e Ilyas frym\u00ebzohet lirisht nga nj\u00eb figur\u00eb realisht e ekzistuar, ajo e Bayume Mohamed Husen. Husen, nj\u00eb ish askar, shkoi n\u00eb Berlin nga fundi i viteve \u201920 t\u00eb N\u00ebnt\u00ebqind\u00ebs p\u00ebr t\u00eb plot\u00ebsuar pag\u00ebn e tij dhe n\u00eb vijim u b\u00eb aktor, duke luajtur n\u00eb nj\u00eb film propagande naziste p\u00ebrkrah Zarah Leander dhe Hans Albers. Pati nj\u00eb marr\u00ebdh\u00ebnie me nj\u00eb grua gjermane, q\u00eb i solli akuz\u00ebn e \u201cinfektimit racor\u201d. u arrestua dhe vdiq n\u00eb kampin e p\u00ebrq\u00ebndrimit t\u00eb Sachsenhausen, n\u00eb per\u00ebndim t\u00eb Berlinit.<\/p>\n Duke rimenduar p\u00ebr fatin e Ilyas, Gurnah pyet n\u00ebse n\u00eb fund ka ndonj\u00eb vijueshm\u00ebri midis kolonializmit dhe krimeve naziste. \u201cNuk po k\u00ebrkoj t\u2019i barazoj k\u00ebto dy ngjarje historike\u201d, shpjegon ai, \u201cpor natyrisht gjerman\u00ebt, me ndjenj\u00ebn e tyre t\u00eb superioritetit kulturor, n\u00ebnshtronin me forc\u00eb popujt e tjer\u00eb, k\u00ebshtu q\u00eb jam i sigurt\u00eb p\u00ebr lidhjet. Pas Luft\u00ebs s\u00eb dyt\u00eb Bot\u00ebrore nuk \u00ebsht\u00eb ndjer\u00eb nevoja e b\u00ebrjes s\u00eb llogarive me krimet e kryera n\u00eb Afrik\u00eb, pasi n\u00eb at\u00eb koh\u00eb u p\u00ebrq\u00ebndrua vet\u00ebm mbi nazizmin. Gj\u00ebrat dukeshin se qen\u00eb ndryshuar vet\u00ebm s\u00eb fundmi\u201d. Gurnah thot\u00eb se ka studiuar shum\u00eb histori askar\u00ebsh, q\u00eb pas p\u00ebrfundimit t\u00eb Luft\u00ebs s\u00eb Par\u00eb Bot\u00ebrore, u transferuan n\u00eb Gjermani n\u00eb k\u00ebrkim t\u00eb mir\u00ebnjohjes. Disa tentuan bile t\u2019i bashkoheshin partis\u00eb naziste: \u201cAjo q\u00eb m\u00eb ka goditur gjithmon\u00eb shum\u00eb \u00ebsht\u00eb se n\u00eb Afrik\u00eb afrikan\u00ebt kan\u00eb b\u00ebr\u00eb luft\u00eb p\u00ebr ta: gjerman\u00ebt me askar\u00ebt e tyre, anglez\u00ebt me King\u2019s African Rifles, belg\u00ebt me Force Publique. Ka shum\u00eb motive: n\u00eb at\u00eb koh\u00eb kishte akoma nj\u00eb identitet afrikan. Ishte d\u00ebshira e b\u00ebrjes pjes\u00eb s\u00eb modernizmit. Ishin n\u00eb loj\u00eb para dhe p\u00ebr t\u00eb rinjt\u00eb vajtja n\u00eb luft\u00eb ishte aventureske. Lufta u mund\u00ebsoi atyre gjeneratave t\u00eb shp\u00ebtonin nga nj\u00eb mjedis pa perspektiva dhe nuk ndjeheshin tradh\u00ebtar\u00eb, pasi luftonin larg nga fshatrat e tyre\u201d. Gurnah \u00ebsht\u00eb i vet\u00ebdijsh\u00ebm se kolonialist\u00ebt europian\u00eb nuk gjendeshin sigurisht n\u00eb nj\u00eb situat\u00eb idiliake kur shkel\u00ebn k\u00ebmb\u00eb n\u00eb Afrik\u00ebn Lindore. N\u00eb romanin m\u00eb t\u00eb njohur,\u00a0Parajsa<\/em>, i botuar p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb vitin 1994, rr\u00ebfen konfliktet e lidhura me bashk\u00ebjetes\u00ebn e v\u00ebshtir\u00eb midis treg\u00ebtar\u00ebve arabe e indian\u00eb dhe popullsis\u00eb zezake n\u00eb bregun lindor afrikan. Por qen\u00eb t\u00eb par\u00ebt europian\u00ebt, q\u00eb me superioritetin e tyre ushtarak dhe teknik, soll\u00ebn n\u00eb rajon luft\u00ebn moderne, me shfarosjet, genocidet dhe racizmin.\u00a0Z\u00ebra n\u00eb arrati\u00a0<\/em>mund t\u00eb lexohet si vijimi i\u00a0Parajs\u00ebs<\/em>. Romani i par\u00eb konkludon me fillimin e Luft\u00ebs s\u00eb Par\u00eb Bot\u00ebrore,\u00a0Z\u00ebra n\u00eb arrati\u00a0<\/em>i rr\u00ebfen zhvillimin.<\/p>\n Grat\u00eb e klerikut gjerman q\u00eb kuron Hamza i dhuron askarit t\u00eb plagosur nj\u00eb lib\u00ebr, q\u00eb p\u00ebr hir t\u00eb s\u00eb v\u00ebrtet\u00ebs \u00ebsht\u00eb nj\u00eb v\u00ebllim i Tet\u00ebqind\u00ebs i Heinrich Heine,\u00a0Mbi historin\u00eb e religjionit dhe t\u00eb filozofis\u00eb n\u00eb Gjermani<\/em>. N\u00eb tekstin e Heine ka nj\u00eb refleksion t\u00eb famsh\u00ebm mbi faktin q\u00eb gjerman\u00ebt e kan\u00eb filluar von\u00eb procesin e nd\u00ebrtimit t\u00eb kombit dhe mbi d\u00ebshir\u00ebn fatale t\u00eb tyre p\u00ebr ta rikuperuar koh\u00ebn e humbur. \u201cTing\u00ebllimi gjerman nuk \u00ebsht\u00eb shum\u00eb i zhd\u00ebrvjellt\u00eb dhe vjen duke u rrotulluar paksa me ngadal\u00eb, por do t\u00eb vij\u00eb\u201d, shkruan Heine, \u201cdhe kur do t\u00eb d\u00ebgjosh nj\u00eb k\u00ebrcitje si kurr\u00eb m\u00eb par\u00eb n\u00eb historin\u00eb e bot\u00ebs, dije se ting\u00ebllima gjermane m\u00eb s\u00eb fundi ka goditur n\u00eb shenj\u00eb\u201d. Fatkeq\u00ebsisht ishte nj\u00eb analiz\u00eb e drejt\u00eb dhe Gurnah tregon se \u201cting\u00ebllima gjermane\u201d p\u00ebr t\u00eb cil\u00ebn flet Heine nuk ka shp\u00ebrthyer vet\u00ebm n\u00eb Europ\u00eb, por edhe n\u00eb Afrik\u00eb, \u00ebsht\u00eb magjeps\u00ebse t\u00eb v\u00ebresh fatin e historis\u00eb gjermane nga nj\u00eb perspektiv\u00eb afrikane, por\u00a0Z\u00ebra n\u00eb arrati<\/em>, natyrisht, nuk ezaurohet n\u00eb rind\u00ebrtimin e ngjarjeve historike. Romani flet p\u00ebr historin\u00eb e dashuris\u00eb midis Afiya dhe Hamza, p\u00ebr tentativ\u00ebn e daljes nga tmerri i luft\u00ebs p\u00ebr t\u00eb nd\u00ebrtuar nj\u00eb jet\u00eb dhe sesi dhuna, pavar\u00ebsisht g\u00ebzimeve t\u00eb dashuris\u00eb, e gjen m\u00ebnyr\u00ebn p\u00ebr t\u00eb penetruar p\u00ebrgjithmon\u00eb n\u00eb trup, n\u00eb mendimet dhe n\u00eb \u00ebnd\u00ebrrat e protagonist\u00ebve, duke ndjekur deri trash\u00ebgimtar\u00ebt e tyre. Roman\u00eb \u00ebsht\u00eb shkruar me nj\u00eb gjuh\u00eb t\u00eb privuar nga metaforat, me nj\u00eb stil t\u00eb thjesht\u00eb q\u00eb p\u00ebrputhet me p\u00ebrmbajten, pasi brutaliteti nuk toleron ushtrime stili.<\/p>\n Heshtje mbi mbret\u00ebresh\u00ebn<\/strong><\/p>\n N\u00eb fund t\u00eb takimit ton\u00eb, do t\u00eb doja t\u2019i flisja p\u00ebr vdekjen e mbret\u00ebresh\u00ebs Elizabeta e II, por Abdulrazak Gurnah i t\u00ebrhiqet menj\u00ebher\u00eb argumentit. Nuk do t\u00eb thot\u00eb asnj\u00eb fjal\u00eb mbi monarkin\u00eb britanike dhe mbretin e ri. V\u00ebmendja e tepruar e bot\u00ebs ndaj lajmit i vret nervat. Ndoshta e bezdis vet\u00ebcelebrimi pompoz i nj\u00eb kombi, besimi i pal\u00ebkundur tej vet\u00ebvetja q\u00eb shfaqet n\u00eb skenografin\u00eb e suksesionit ndaj fronit. Hipim n\u00eb makin\u00ebn elektrike t\u00eb tij dhe m\u00eb shoq\u00ebron n\u00eb stacionin m\u00eb t\u00eb af\u00ebrt. N\u00eb provinc\u00ebn britanike qielli \u00ebsht\u00eb i pafund\u00ebm dhe gri. Gurnah m\u00eb p\u00ebrsh\u00ebndet me p\u00ebrzem\u00ebrsi. N\u00eb tetor do t\u00eb vij\u00eb n\u00eb panairin e librit t\u00eb Frankfurtit dhe do t\u2019u paraqes\u00eb gjerman\u00ebve nj\u00eb roman q\u00eb tregon historin\u00eb e censuruar t\u00eb nd\u00ebrmarrjes s\u00eb tyre imperialiste n\u00eb Afrik\u00eb, nj\u00eb histori q\u00eb nuk mund t\u00eb harrohet.<\/p>\n (nga\u00a0Die Zeit<\/em>)<\/p>\n P\u00ebrgatiti<\/strong><\/p>\n ARMIN TIRANA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" \u00cbsht\u00eb nj\u00eb shkrimtar tanzanian dhe n\u00eb 2021 ka marr\u00eb \u00c7mimin Nobel p\u00ebr Let\u00ebrsin\u00eb. Romanet e tij jan\u00eb t\u00eb frym\u00ebzuar nga historia afrikane dhe denoncojn\u00eb dhunat dhe racizmin me t\u00eb cilat \u00ebsht\u00eb njollosur Europa. N\u00eb mesin e shtatorit ka dal\u00eb n\u00eb Gjermani libri i ri i Abdulrazak Gurnah,\u00a0Nachleben\u00a0(Z\u00ebra n\u00eb arrati). Kur nj\u00eb vit m\u00eb par\u00eb ka …<\/p>\n","protected":false},"author":4,"featured_media":26205,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[42],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/26204"}],"collection":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/comments?post=26204"}],"version-history":[{"count":0,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/posts\/26204\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media\/26205"}],"wp:attachment":[{"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/media?parent=26204"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/categories?post=26204"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/foltore.al\/index.php\/wp-json\/wp\/v2\/tags?post=26204"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}